Elon Musk Is Making Another Huge Change To Twitter - msnNOW

3 months ago 4

Good news for anyone that wants to pay Elon Musk $8 for a Twitter checkmark! The billionaire plans to re-launch his verification system next week, according to The Hollywood Reporter. The paid checkmark will remain blue, but checkmarks identifying governments will be changed to gray, and company checkmarks will turn gold.

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When Elon Musk launched his Twitter verification system earlier in November, the $8 checkmarks were the same color as every other account’s verification checkmarks — which were used to identify official accounts and real individuals. Twitter’s trust and safety team reportedly warned Musk that this move would lead to scammers and impersonators abusing the new verification system. Musk launched the new system anyway. In a shocking twist, scammers and impersonators abused the new verification system.

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Ever since Elon Musk purchased Twitter, he seemed dedicated to promoting the blue checkmark as a status symbol. The new paid-for checkmark will remain the same color as verified celebrities and other public figures. Elon musk has stated that Twitter will manually authenticate the newly-verified accounts, so everyone will know that the blue checkmark means a real person paid Elon Musk $8.

Besides the new verification system, the social media company has undergone some other massive changes in the past month. Elon Musk fired Twitter’s executives immediately after purchasing the company. Then, he laid off half of Twitter’s workforce. Most recently, he announced plans to bring back suspended accounts shortly after reactivating former president Donald Trump’s suspended account.

These changes come as Elon Musk attempts to make Twitter profitable. He has previously said that the social media site, which he burdened with $13 billion in debt to complete his purchase, is losing $4 million every day. 

Elon Musk’s changes to Twitter have not come without their consequences. According to Media Matters for America, advertisers have fled the platform in droves. As of November 21, half of Twitter’s top 100 advertisers have stopped advertising on Twitter. These advertisers had paid $750 million to Twitter in 2022 so far — about $2.3 million per day. This means that, unless Musk’s changes to the platform this month have brought about $6 million in daily savings, the company continues to operate at a massive loss.

It’s unclear whether the advertisers who fled Elon Musk’s Twitter will stay away from the platform, which has reportedly been more active than ever since Musk took charge. It’s also unclear how popular the new verification system will be, but it needs to be extremely popular to make up for the company’s reported financial shortfall.

On top of Twitter’s apparent financial issues, the company now faces lawsuits from laid-off employees, claiming that the mass firings did not comply with California law. Elon Musk was also sued by laid-off Twitter employees in Ghana, resulting in Twitter negotiating with the employees to offer the legally-required severance pay.

Time will tell how Elon Musk’s new Twitter verification system will work out. It’s certainly possible that his reduced staff will be able to successfully field off impersonation with their new manual verification system. It’s unlikely, however, that enough people will pay $8 a month to make a dent in the company’s $4 million daily loss — a staggering sum that is equivalent to 15 million paying users. 

The post Elon Musk Is Making Another Huge Change To Twitter appeared first on GIANT FREAKIN ROBOT.

29 Small-Budget Films That Went on to Win Oscars

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  •  Best Picture, Best Director, Best Actor (Ernest Borgnine), Best Adapted Screenplay  An expansion of writer Paddy Chayefsky's TV screenplay, this simple story centers on Marty (Borgnine), a bachelor butcher who finally meets the right woman and must contend with all the people pushing him away from her. It became a classic. Betsy Blair played the object of Marty's affections, Clara, but it wasn't easy getting the part. She had been blacklisted, but desperately wanted the role. Luckily, she had her famous spouse to lobby on her behalf - Gene Kelly.

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  •  Best Picture, Best Director, Best Adapted Screenplay, Best Actor (Clark Gable), Best Actress (Claudette Colbert)  This film starred Clark Gable as an unemployed reporter and Claudette Colbert as an heiress, but neither star was the first choice for their roles. Myrna Loy, Robert Montgomery, Loretta Young, and other stars passed on the parts. Bette Davis, however, wanted the role of the heiress but couldn't get loaned to the production by Warner Brothers, who held her contract.   For more fun trivia stories, please sign up for our free newsletters.

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  •  Best Picture, Best Actor (Laurence Olivier), Best Costume Design, Best Art Direction  Laurence Olivier was panned by Shakespeare fans for cutting down the classic play to a movie-length two hours (Fortinbras, Rosencrantz, and Guildenstern were chopped out of the movie entirely), but that may not be the biggest shock about the film. Eileen Herlie, who played Hamlet's mother, was 29 when the film was made. Laurence Olivier, who played Hamlet, was 40.

  •  Best Picture, Best Actor (Marlon Brando), Best Actress (Eva Marie Saint), Best Director, Best Screenplay, Best Cinematography, Best Film Editing, Best Art Direction   This movie - focused on prizefighter-turned-longshoreman Terry (Marlon Brando) who fights corruption in his union - proved to be much more than just a contender, winning a remarkable eight Oscars after being nominated for 12. Frank Sinatra is said to have wanted the role of Terry, but director Elia Kazan lobbied for Brando - much to Sinatra's fury.

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  •  Best Actor (Geoffrey Rush)  This Australian film chronicles the struggles of real-life pianist David Helfgott, and the Helfgott family protested against the monstrous portrayal of father Peter (Armin Mueller-Stahl) in the movie. Fact, fiction, or in between, no one can deny that the role of David Helfgott propelled Geoffrey Rush's acting career - he's won not only an Oscar but an Emmy and a Tony.

  •  Best Picture, Best Actor (Gene Hackman), Best Director, Best Adapted Screenplay, Best Film Editing  Based on the 1969 nonfiction book of the same name, the film (which has one of the most famous car chases in movie history) follows Detective "Popeye" Doyle (Gene Hackman) as he tries to catch a French heroin smuggler.

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  •  Best Picture, Best Supporting Actor (Donald Crisp), Best Director, Best Cinematography, Best Art Direction Based on the 1939 bestseller of the same name, this movie about a Welsh mining family starring Maureen O'Hara and Walter Pidgeon (as well as a young Roddy McDowall) was nominated for 10 Oscars. Despite the film's focus on Wales, only one Welsh actor was cast in the movie, Rhys Williams, who had a small part, and filming there was impossible due to travel limitations imposed by World War II. 

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  •  Best Picture, Best Film Editing, Best Sound Mixing, Best Director  Inspired by director and writer Oliver Stone's time in Vietnam, the story follows Army private Chris (Charlie Sheen) as he's torn between the perspectives of his vicious platoon leader Sgt. Barnes (Tom Berenger) and his idealistic squad leader Sgt. Elias (Willem Dafoe). The film was the first studio feature written and directed by a Vietnam veteran.

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  •  Best Picture, Best Actress (Jessica Tandy), Best Adapted Screenplay, Best Makeup  Based on the play of the same name, the story of an unlikely friendship between an elderly White woman (Jessica Tandy) and her Black chauffeur (Morgan Freeman) in the '40s through the '70s seems dated today, but at the time, it was catnip for Oscar voters.

  •  Best Picture, Best Adapted Screenplay, Best Director, Best Original Score, Best Cinematography, Best Film Editing, Best Sound Mixing, Best Sound Editing  Based on the novel "Q&A," the movie is told mostly in flashback as a "Who Wants to Be a Millionaire?" contestant must prove to police he hasn't cheated to get to the final question. In addition to being only the 11th best-picture winner to have no nominations for acting, it was also the first film shot using digital technology to win an Oscar for best cinematography.

  •  Best Picture, Best Original Screenplay, Best Director, Best Film Editing, Best Sound Mixing, Best Sound Editing  This war drama about an Iraq War explosive-ordnance disposal team who must battle with insurgents was well-reviewed, even though many Iraq veterans complained about a lack of realism. What excited many people was that Kathryn Bigelow became the first female director to win an Oscar in her category.

  •  Best Picture, Best Actor (Colin Firth), Best Director, Best Original Screenplay  An historical British drama about the future King George VI (Colin Firth) seeking help from a speech therapist (played by Geoffrey Rush) to tame his stutter, this small film had a big showing at the Oscars, getting 12 nominations and winning four awards.

  •  Best Picture, Best Actor (Rod Steiger), Best Adapted Screenplay, Best Film Editing, Best Sound Mixing  Starring Sidney Poitier and Rod Steiger, this drama about a Black police detective reluctantly recruited to help solve a murder in Mississippi dealt frankly with racism. There were two sequels, "They Call Me Mr. Tibbs!" and "The Organization," but they bombed at the box office.

  •  Best Supporting Actress (Penelope Cruz)  A romantic dramedy from Woody Allen, the film starred Scarlett Johansson, Javier Bardem, and Rebecca Hall, but it was Penelope Cruz's performance as the emotionally unstable ex-wife of Bardem's character that got most of the attention - and the movie's sole Oscar nomination and win.

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  •  Best Actress (Cate Blanchett)  Following the decline of a socialite who has lost everything after her husband was exposed for scamming clients out of money, a la Bernie Madoff, this Woody Allen movie proved to be more lucky for Blanchett. She won her second Oscar, having won her first for 2005's "The Aviator."

  •  Best Picture, Best Original Screenplay, Best Directing, Best Cinematography  This low-budget movie starring Michael Keaton and Emma Stone may have swept the Oscars, but none of the four writers of the screenplay were nominated for a Writers Guild award. Why? None were members of the guild.   Related: Funniest Comedy Specials You Can Watch Online

  •  Best Picture, Best Director, Best Supporting Actor (Timothy Hutton), Best Adapted Screenplay  Based on the 1976 novel of the same name, "Ordinary People" was Robert Redford's directorial debut - but the bigger surprise was Mary Tyler Moore. Playing the icy, upper-crust mother of one son who has drowned and another (Timothy Hutton) who has attempted suicide, Moore was also nominated for an Oscar.

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Hollywood, CA/ USA - July 26, 2018: Oscar golden award in a souvenir store on Hollywood Boulevard. Success and victory concept

The big Oscar winner last year was the movie "Nomadland," about a recently widowed woman (Frances McDormand) who decides to become a "houseless" nomad after losing her job. Made on a shoestring budget of $5 million, the movie is impressively cheap and still earned best picture, best actor for McDormand, and best director for Chloé Zhao. But it's not the first Oscar-winning film to have a small budget. Keep reading for some of the movies that took home gold despite tiny budgets.

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Moonlight (2016) Movie Poster

Budget: $1.5 million

Awards: Best Picture, Best Adapted Screenplay, Best Supporting Actor (Mahershala Ali)

The cheapest best picture winner (when older film budgets are adjusted for inflation), this coming-of-age drama examined a boy's grappling with Black masculinity and sexuality, but it may always be most famous because competitor "La La Land" was accidentally announced by Warren Beatty as the best picture winner. Moments later, Jordan Horowitz, one of the producers of "La La Land," announced "Moonlight" as the correct winner. Another memorable takeaway: Mahershala Ali became the first Muslim actor to win an Oscar.

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Ernest Borgnine-Betsy Blair in Marty

Budget: $350,000 ($3.2 million in today's dollars)

Awards: Best Picture, Best Director, Best Actor (Ernest Borgnine), Best Adapted Screenplay

An expansion of writer Paddy Chayefsky's TV screenplay, this simple story centers on Marty (Borgnine), a bachelor butcher who finally meets the right woman and must contend with all the people pushing him away from her. It became a classic. Betsy Blair played the object of Marty's affections, Clara, but it wasn't easy getting the part. She had been blacklisted, but desperately wanted the role. Luckily, she had her famous spouse to lobby on her behalf - Gene Kelly.

Rocky (1976) Movie Poster

Budget: $1.1 million ($4.6 million)

Awards: Best Picture, Best Director, Best Film Editing

Written by and starring Sylvester Stallone, "Rocky" told the story of a "ham and egger" boxer whose only goal was to stay upright while fighting world champion Apollo Creed. This gritty film was Stallone's big break - and resulted in, if you include three Creed films, eight sequels.

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It Happened One Night (1934)

Budget: $325,000 ($5.9 million in today's dollars)

Awards: Best Picture, Best Director, Best Adapted Screenplay, Best Actor (Clark Gable), Best Actress (Claudette Colbert)

This film starred Clark Gable as an unemployed reporter and Claudette Colbert as an heiress, but neither star was the first choice for their roles. Myrna Loy, Robert Montgomery, Loretta Young, and other stars passed on the parts. Bette Davis, however, wanted the role of the heiress but couldn't get loaned to the production by Warner Brothers, who held her contract. 

For more fun trivia stories, please sign up for our free newsletters.

Crash (2005) Movie Poster

Budget: $6.5 million

Awards: Best Picture, Best Original Screenplay, Best Film Editing

An ensemble drama about racial tensions in Los Angeles starring Sandra Bullock, Don Cheadle, Matt Dillon, Terrence Howard, Thandiwe Newton, and a host of other actors, the now much-derided movie won three of the six Oscars for which it was nominated. 

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Capote (2005) Movie Poster

Budget: $7 million

Awards: Best Actor (Philip Seymour Hoffman)

A close look at author Truman Capote as he researched the real-life crime at the center of his 1965 book "In Cold Blood," Hoffman's performance - he even nailed Capote's distinctive speaking voice without veering into caricature - was jaw-dropping. 

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Hamlet (1948) Movie Poster

Budget: $679,000 ($7.1 million in today's dollars)

Awards: Best Picture, Best Actor (Laurence Olivier), Best Costume Design, Best Art Direction

Laurence Olivier was panned by Shakespeare fans for cutting down the classic play to a movie-length two hours (Fortinbras, Rosencrantz, and Guildenstern were chopped out of the movie entirely), but that may not be the biggest shock about the film. Eileen Herlie, who played Hamlet's mother, was 29 when the film was made. Laurence Olivier, who played Hamlet, was 40.

On the Waterfront (1954)

Budget: $900,000 ($8.4 million in today's dollars)

Awards: Best Picture, Best Actor (Marlon Brando), Best Actress (Eva Marie Saint), Best Director, Best Screenplay, Best Cinematography, Best Film Editing, Best Art Direction 

This movie - focused on prizefighter-turned-longshoreman Terry (Marlon Brando) who fights corruption in his union - proved to be much more than just a contender, winning a remarkable eight Oscars after being nominated for 12. Frank Sinatra is said to have wanted the role of Terry, but director Elia Kazan lobbied for Brando - much to Sinatra's fury.

Tom Jones (1963) Movie Poster

Budget: $1 million ($8.6 million in today's dollars)

Awards: Best Picture, Best Director, Best Adapted Screenplay, Best Original Score

A British adaptation of the 1749 book "The History of Tom Jones, a Foundling," this bawdy period comedy seemed especially cheap given that it trounced the bloated, problem-plagued Elizabeth Taylor vehicle "Cleopatra," which cost $31 million.

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Shine (1996) Movie Poster

Budget: $5.5 million ($9 million in today's dollars)

Awards: Best Actor (Geoffrey Rush)

This Australian film chronicles the struggles of real-life pianist David Helfgott, and the Helfgott family protested against the monstrous portrayal of father Peter (Armin Mueller-Stahl) in the movie. Fact, fiction, or in between, no one can deny that the role of David Helfgott propelled Geoffrey Rush's acting career - he's won not only an Oscar but an Emmy and a Tony.

The French Connection (1971)

Budget: $1.8 million ($11 million in today's dollars)

Awards: Best Picture, Best Actor (Gene Hackman), Best Director, Best Adapted Screenplay, Best Film Editing

Based on the 1969 nonfiction book of the same name, the film (which has one of the most famous car chases in movie history) follows Detective "Popeye" Doyle (Gene Hackman) as he tries to catch a French heroin smuggler.

Parasite (2020)

Budget: $12 million  

Awards: Best Picture, Best International Feature, Best Original Screenplay, Best Director

This genre-busting and surprising film veers from black comedy into horror as it follows a poor family angling to improve their lives by claiming to be highly qualified to help the wealthy residents of a beautiful house. It was the first South Korean film to win an Oscar. 

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How Green Was My Valley (1941) Movie Poster

Budget: $800,000 ($13 million in today's dollars)

Awards: Best Picture, Best Supporting Actor (Donald Crisp), Best Director, Best Cinematography, Best Art Direction

Based on the 1939 bestseller of the same name, this movie about a Welsh mining family starring Maureen O'Hara and Walter Pidgeon (as well as a young Roddy McDowall) was nominated for 10 Oscars. Despite the film's focus on Wales, only one Welsh actor was cast in the movie, Rhys Williams, who had a small part, and filming there was impossible due to travel limitations imposed by World War II. 

Casablanca (1942) Movie Poster

Budget: $878,000 ($13 million)

Awards: Best Picture, Best Director, Best Adapted Screenplay

Possibly one of the most famous (and most quoted) movies of the 20th century, this romance about American expatriate Rick (Humphrey Bogart) and his love for married woman Ilsa (Ingrid Bergman) has inspired songs, books, other movies, but happily (despite reports of an Iraq-set modern day remake by Madonna) has been borrowed from but never been remade.

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Grand Hotel (1932) Movie Poster

Budget: $750,000 ($13.4 million in today's dollars)

Awards: Best Picture

This Greta Garbo film about guests in a luxurious Berlin hotel is worth watching today to spot a lot of major, old-school stars in one place. Also appearing in the film are Joan Crawford, Lionel Barrymore, John Barrymore, and Wallace Beery.

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All About Eve (1950) Movie Poster

Budget: $1.4 million ($14 million in today's dollars)

Awards: Best Picture, Best Director, Best Supporting Actor (George Sanders), Best Adapted Screenplay

The ultimate story of Broadway backstabbing starring Bette Davis and Anne Baxter, the movie ironically pitted the actors against each other for an Oscar. The statuette went to Judy Holliday for "Born Yesterday."

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Platoon (1986) Movie Poster

Budget: $6 million ($14 million in today's dollars)

Awards: Best Picture, Best Film Editing, Best Sound Mixing, Best Director

Inspired by director and writer Oliver Stone's time in Vietnam, the story follows Army private Chris (Charlie Sheen) as he's torn between the perspectives of his vicious platoon leader Sgt. Barnes (Tom Berenger) and his idealistic squad leader Sgt. Elias (Willem Dafoe). The film was the first studio feature written and directed by a Vietnam veteran.

Imitation Game (2014) Movie Poster

Budget: $14 million

Awards: Best Adapted Screenplay

Starring Benedict Cumberbatch as Alan Turing, this adaptation of the 1983 biography of the codebreaking mathematician received eight nominations but took home only one Oscar.

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Driving Miss Daisy (1989) Movie Poster

Budget: $7.5 ($15 million in today's dollars)

Awards: Best Picture, Best Actress (Jessica Tandy), Best Adapted Screenplay, Best Makeup

Based on the play of the same name, the story of an unlikely friendship between an elderly White woman (Jessica Tandy) and her Black chauffeur (Morgan Freeman) in the '40s through the '70s seems dated today, but at the time, it was catnip for Oscar voters.

Slumdog Millionaire (2008) Movie Poster

Budget: $15 million 

Awards: Best Picture, Best Adapted Screenplay, Best Director, Best Original Score, Best Cinematography, Best Film Editing, Best Sound Mixing, Best Sound Editing

Based on the novel "Q&A," the movie is told mostly in flashback as a "Who Wants to Be a Millionaire?" contestant must prove to police he hasn't cheated to get to the final question. In addition to being only the 11th best-picture winner to have no nominations for acting, it was also the first film shot using digital technology to win an Oscar for best cinematography.

The Hurt Locker (2009) Movie Poster

Budget: $15 million

Awards: Best Picture, Best Original Screenplay, Best Director, Best Film Editing, Best Sound Mixing, Best Sound Editing

This war drama about an Iraq War explosive-ordnance disposal team who must battle with insurgents was well-reviewed, even though many Iraq veterans complained about a lack of realism. What excited many people was that Kathryn Bigelow became the first female director to win an Oscar in her category.

The King

Budget: $15 million

Awards: Best Picture, Best Actor (Colin Firth), Best Director, Best Original Screenplay

An historical British drama about the future King George VI (Colin Firth) seeking help from a speech therapist (played by Geoffrey Rush) to tame his stutter, this small film had a big showing at the Oscars, getting 12 nominations and winning four awards.

In the Heat of the Night (1967) Movie Poster

Budget: $2 million ($15.2 million in today's dollars)

Awards: Best Picture, Best Actor (Rod Steiger), Best Adapted Screenplay, Best Film Editing, Best Sound Mixing

Starring Sidney Poitier and Rod Steiger, this drama about a Black police detective reluctantly recruited to help solve a murder in Mississippi dealt frankly with racism. There were two sequels, "They Call Me Mr. Tibbs!" and "The Organization," but they bombed at the box office.

Vicky Cristina Barcelona (2008) Movie Poster

Budget: $15.5 million

Awards: Best Supporting Actress (Penelope Cruz)

A romantic dramedy from Woody Allen, the film starred Scarlett Johansson, Javier Bardem, and Rebecca Hall, but it was Penelope Cruz's performance as the emotionally unstable ex-wife of Bardem's character that got most of the attention - and the movie's sole Oscar nomination and win.

Chariots of Fire (1981) Movie Poster

Budget: $5.5 million ($16 million in today's dollars)

Awards: Best Picture, Best Original Screenplay, Best Original Score, Best Costume Design

A period drama about two runners during the 1924 Olympics, this British movie was nominated for seven Oscars, winning four. And many would argue that the memorable score by Vangelis was worthy of an award - if only for how often it has been parodied. 

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Blue Jasmine (2013) Movie Poster

Budget: $18 million

Awards: Best Actress (Cate Blanchett)

Following the decline of a socialite who has lost everything after her husband was exposed for scamming clients out of money, a la Bernie Madoff, this Woody Allen movie proved to be more lucky for Blanchett. She won her second Oscar, having won her first for 2005's "The Aviator."

Birdman (2014) Movie Poster

Budget: $18 million

Awards: Best Picture, Best Original Screenplay, Best Directing, Best Cinematography

This low-budget movie starring Michael Keaton and Emma Stone may have swept the Oscars, but none of the four writers of the screenplay were nominated for a Writers Guild award. Why? None were members of the guild. 

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Ordinary People (1980) Movie Poster

Budget: $6 million ($19 million in today's dollars)

Awards: Best Picture, Best Director, Best Supporting Actor (Timothy Hutton), Best Adapted Screenplay

Based on the 1976 novel of the same name, "Ordinary People" was Robert Redford's directorial debut - but the bigger surprise was Mary Tyler Moore. Playing the icy, upper-crust mother of one son who has drowned and another (Timothy Hutton) who has attempted suicide, Moore was also nominated for an Oscar.

One Flew Over the Cuckoo

Budget: $4.4 million ($21 million in today's dollars)

Awards: Best Picture, Best Actor (Jack Nicholson), Best Director, Best Adapted Screenplay

Based on the Ken Kesey novel of the same name about a patient at a mental hospital facing off against a cruel and controlling nurse, this movie was only the second in history to land Oscars in all five major categories (best picture, actor, actress, director, and screenplay).

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